Selected Poetry

The Georgia Review: “Forests, Too, Are Fleeing,” forthcoming.

Los Angeles Review of Books: “Wind Enough to Bend These Trees,” forthcoming.

Bennington Review: “Kestrels Find the Flares of Methane,” forthcoming.

Ploughshares: “There Is Nowhere for the Wind,” Winter 2024.

TriQuarterly: “We Belittle the Grass,” Winter 2024.

AGNI: “To Hear, At This Window, Bare-throated Bellbirds,” Fall 2023.

Smartish Pace: “The Leaf That Produces the Plant,” “Rainfall on the Side of the Street,” Fall 2023.

Washington Square: “Together for Eternity,” Fall 2023.

West Branch: “Collateral,” “Spoken For,” “Eremocene,” & “Endling,” Winter 2023.

Image: “Explosives, Once Signaled,” Winter 2023.

The New York Review of Books: “Empty Spaces,” Fall 2022.

The Yale Review: “The Threat of Being Cut is Constant,” Fall 2022.

The Paris Review: “Floodwaters Carry Coal Ash Into the Cape Fear River,” Winter 2021.

New England Review: “I Side With Myself. I Touch My Face,” Fall 2021.

The Believer: “Forced March,” Winter 2021.

Bennington Review: “Resignation Syndrome,” Fall 2020.

The Kenyon Review: “Ownership of Time.” Included in the ‘Of Today’ folio, edited by Solmaz Sharif
& published in the January/February 2020 print issue.

Academy of American Poets’ Poem-a-Day: “Common Things,” Spring 2019.

Crazyhorse (print): “Mortality Event,” Spring 2019.

Vinyl: “Porousness,” Spring 2019.

The Cincinnati Review (print): “The One Story,” Fall 2018.

The Massachusetts Review (print): “Ownership of Sight,” Fall 2018.

Witness: “Inunacknowledgeddetentionwithout,” Spring 2018.

The Antioch Review (print): “Ownership of Words,” Summer 2018.

Harvard Review (print): “Definite Article,” Winter 2018.

The Elephants: “Pasts,” Fall 2017.

Typo: “Object Permanence,” Summer 2017.

Conjunctions: “Black Paintings” and “Peace Epic,” Spring 2016.

The Iowa Review (print): “Division of Labor,” “Multiverse,” “Ruin Value” and “Placeholder,” Winter 2016.

Boston Review: “Devouring Each Other,” Summer 2015.

The Kenyon Review (print): “Geometry of Echo,” Fall 2015.

Green Mountains Review: “Bellfounding” and “Dwelling,” Fall 2014.

Gulf Coast (print):  “Asylum” and “Lucus,” Fall 2014.

Sixth Finch: “Beach Scene” and “Degree of Nothing,” Summer 2013.

Guernica: "Cages," Spring 2013.

The Paris-American: “Schedule for Burning,” “Their Papers” and “Pastorale,” Spring 2013.

Boston Review (Introduced by Mark Strand): Selections from Contrapuntal, Winter 2010.

Prose

Poetry Northwest: “Failure as Negative Space,” Fall 2020.

The Kenyon Review: “On Books & Their Harbors: Valuing & Solid State Books,” Fall 2020.

The Providence Journal: "How Poetry Can Keep Us Living in the Moment," Summer 2017.

Tupelo Quarterly: "Against Our Vanishing: An Essay on the Loss of Allen Grossman," Fall 2014.

Reviews
& Interviews